Mods for GTA San Andreas - Weapon Sound of CoD MW3 with auto-installer free download. Sounds Game Super Smash Bros. Free download mw3 gun sound for. This is my first weapons addon!The models,textures and sounds from Call of Duty. Be sure to download. For Call of Duty: Modern Warfare 3 on the Xbox 360, a GameFAQs message board topic titled 'Gun sounds in this game are totally lame!'

I love this kind of thing! Has made up a video showing off the sounds for the same weapons across Call of Duty: Modern Warfare 3 and Battlefield 3. Lining things up back to back really helps gain some perpective on the differences (an similarities) in approach to designing weapons sounds. (Hint: We need more of this!) While I think it gives a good start, the locational differences of the make it tricky to fully asses. The Battlefield 3 captures are all take from the same mountain surrounded location using the “WareTapes” sound settings, which essentially increases the quieter dynamics, as opposed to Modern Warfare 3 which are captured at various outdoor locations.

The extreme mountainside report slapping back seems exaggerated when used in comparison, either due to location or decreased dynamics. Regardless, the comparison reveals a tremendous amount of time spent by both teams infusing the weapon sounds with a unique aesthetic while adding heaps of meticulous detail throughout. Congrats to both teams and thanks for the comparison video! Which one’s are your favorites?

Via Twitter Also see: Filed Under. This is great. My dissertation was based around weapon sound design and I love things like this. It really shows the sound designer’s vision on each weapon.

Whether that is a more realistic sound from the shooter’s position, or a more powerful one concentrated on the overall sound of the weapon. For me realism is key and I like my weapons to sound authentic, however a nice boost in low frequencies fed into the LFE gives a real sense of power. I also focused on the mechanical aspect of the weapon itself and deconstructed each movement involved with a single cycle of the weapon, I found that by doing this each gun had it’s own character and you can really make each weapon unique. This is something that I listen for whenever I play a new shooter, and I am noticing that this is becoming more apparent within new FPS games.

The locations and background action in this video could have been better, i.e each gun in the same location, both locations being as similar as possible. But apart from that, It is really great to see the comparisons and also great to know that other people love getting geeky with guns too.;). Thanks for putting together this comparison.

As others have stated, the two environments are completely different, so judging just the tails of the guns is hard to do. In regards to the sounds of the guns firing, I personally prefer the approach BF3 took (I own this game so I could be a bit biased) but I find the weapons have a lot of brightness, or in technical terms, they have a lot more of the higher frequencies audible as opposed to MW3 which has a more bassy sound with less higher frequencies. In Battlefield 3, that brightness makes firing a weapon a very engaging and exciting experience.

And stating the obvious, it’s very startling to be unexpectedly fired on by enemy soldiers at close range too! Battlefield 3 has much larger maps than Modern Warfare, and BF3’s sound team did an amazing job with time displacement in regards to weapons/explosions happening in the distance. Install Windows 2000 In Dosbox Tutorial.

Example: A helicopter crashes 500+ yards from you and there is a an accurate delay to the explosion you hear coming from the distance (plus the sound is EQ’d so it sounds like it is much farther away). Lets all circle jerk around the obvious fact that this is not a scientific test (duh). Now that we have that out of the way, lets enjoy the fairly direct back to back comparison for what it is. This is two distinct different approaches to gun SFX.

I think there is a lot of insight to pull from the different perspectives of the audio teams and the larger games themselves. The thought that goes into the sound of that gun going off and the feeling its meant to evoke in the player is fascinating. This is the reason we do this work. I think that you could give these sounds to people who have never played either game and I bet they can give you some descriptive terms that probably describe the games themselves “realistic/hyper-realistic” etc etc etc. In that sense I think both sound design teams did an amazing job!