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Anyone planning to buy the Symphonic Orchestra library should think first about the hard disk space required by its samples. STRINGS • 18 violins. • 11 violins.

• 9 double basses. • Solo violin. • Solo viola. • Solo cello. • Solo double bass.

KEYBOARDS • Harpsichord. WOODWINDS • 3 flutes. • 3 clarinets. • Alto flute. • English horn. • English horn 2. • Bass clarinet.

• Contrabassoon. Office Software Protection Platform Service 1003 Excel on this page. BRASS • 4 trumpets. • 2 trumpets.

• 4 tenor & bass trombones. • 6 French horns. • 3 Wagner tubas.

• Piccolo trumpet. • Trombone & bass trombone. • French horn. DRUMS & CYMBALS • Bass drum. • Snare drum. • Snare drum ensemble.

• Field drum. • Field drum ensemble. • Tenor drum. • Funeral drum. • Taiko drums.

• Crash cymbals (piatti). • Suspended cymbals. TUNED PERCUSSION • Timpani. • Tubular bells. • Glockenspiel.

• Vibraphone. UNPITCHED PERCUSSION • Tam tams. • Metal rail. • Wood block. • Slap stick.

• Puilli sticks. • Slide whistle. • Tambourine.

• Sleigh bells. • Artillery shells. • Steel plates.

• Waterphone. • Wind machine. In an attempt to find out what makes QLegato tick, I loaded the solo violin 'QLeg' program into Kontakt and opened the sample edit window. As you can see from the screenshot below, which shows the waveform of one note (a mezzopiano B# above Middle 'C'), the raw sample consists of two notes played in succession with no intervening gap.

The two notes are identically pitched: the sample start point (represented by the vertical green line with the 'S' flag) occurs after the player has stopped bowing the first note, but the continued ringing of the undamped vibrating string means that the second note doesn't start completely 'cold'. Notice that the second note's start point has been placed slightly after its initial attack — this removes the initial bow noise (or, in the case of a wind instrument, the breathy attack portion), causing the sample to speak more quickly and deliver an instant full-bodied tone. This 'attack removal' approach is also used to good effect in Garritan Personal Orchestra and other sound libraries. Extracting single notes from a passage and trimming their attack is not a revolutionary new technique, but it certainly helps the legato effect. The bottom line is that QLegato's note-smoothing capability is useful and helps make Symphonic Orchestra more versatile and expressive.